Marius Hentea. Writing Interment: Wodehouse’s Money in the Bank. Literature and History, In press. ⟨hal-04432172⟩
Marius Hentea. Review of Peter Kalliney, The Aesthetic Cold War: Decolonization and Global Literature (Princeton University Press, 2022). Studies in the Novel, 2023, 55 (2), pp.239-241. ⟨hal-04433365⟩
Marius Hentea. Review of Peter Kalliney, The Aesthetic Cold War: Decolonization and Global Literature (Princeton University Press, 2022). Studies in the Novel, 2023, 55 (2), pp.239-241. ⟨10.1353/sdn.2023.a899465⟩. ⟨hal-04432861⟩
Marius Hentea. Finding the Center : Mrs Dalloway 's Bureaucrats and State Centralization. Novel: A Forum on Fiction, 2022, 55 (2), pp.283-304. ⟨10.1215/00295132-9785025⟩. ⟨hal-04431959⟩
Marius Hentea. Pound's Four Pages : “Literary Camouflage” and Postwar Anonymous Propaganda. PMLA, 2022, 137 (3), pp.424-441. ⟨10.1632/S0030812922000323⟩. ⟨hal-04431930⟩
Marius Hentea. Aventuri în arhivele avangardei [Adventures in the avant-garde archive]. Vatra, 2019, 576-577, pp.54-56. ⟨hal-04432325⟩
Marius Hentea. La spontanéité poétique chez Tristan Tzara. Europe. Revue littéraire mensuelle, 2018, 1067, pp.271-282. ⟨hal-04432348⟩
Marius Hentea. Review of Daniel Albright, Putting Modernism Together: Literature, Music, and Painting, 1872-1927. MFS: Modern Fiction Studies, 2017, 63 (3), pp.582-585. ⟨hal-04432785⟩
Marius Hentea. ‘Tzara No Țara: Tzara’s Romanian Legacy’. Caietele avangardei, 2016, 8, pp.41-50. ⟨hal-04433364⟩
Marius Hentea. ‘The Aristocratic Avant-Garde: Le Comte Étienne de Beaumont and “Les Soirées de Paris”’. Neohelicon, 2015, 42 (1), pp.55-69. ⟨hal-04433360⟩
Marius Hentea. ‘The Education of Samuel Rosenstock, or How Tristan Tzara Learned His ABCs’. Dada/Surrealism, 2015, 20 (1), pp.1-22. ⟨hal-04433362⟩
Marius Hentea. The aristocratic avant-garde: Le Comte Étienne de Beaumont and “Les Soirées de Paris”. Neohelicon, 2014, 42 (1), pp.55-69. ⟨10.1007/s11059-014-0270-9⟩. ⟨hal-04432434⟩
Marius Hentea. Review of Andrew Goldstone, Fictions of Autonomy: Modernism from Wilde to de Man (Oxford University Press, 2013). Henry James Review, 2014, 35 (3), pp.E17-19. ⟨hal-04432792⟩
Marius Hentea. Review of Saikat Majumdar, Prose of the World: Modernism and the Banality of Empire (Columbia University Press, 2013). Modernism/modernity, 2014, 21 (2), pp.572-573. ⟨hal-04432809⟩
Marius Hentea. The End of the Party: The Bright Young People in Vile Bodies, Afternoon Men, and Party Going. Texas Studies in Literature and Language, 2014, 56 (1), pp.90-111. ⟨10.7560/TSLL56104⟩. ⟨hal-04432481⟩
Marius Hentea. 'The End of the Party: The Bright Young People in Vile Bodies, Afternoon Men, and Party Going'. Texas Studies in Literature and Language, 2014, 56 (1), pp.90-111. ⟨hal-04433357⟩
Marius Hentea. 'The Problem of Literary Generations: Origins and Limitations’. Comparative Literature Studies, 2013, 50 (4), pp.567-588. ⟨hal-04433355⟩
Marius Hentea. On the Outskirts of Modernity: Tristan Tzara and Dada in Romania. Modernist Cultures, 2013, 8 (2), pp.215-231. ⟨10.3366/mod.2013.0062⟩. ⟨hal-04432507⟩
Marius Hentea. 'On the Outskirts of Modernity: Tristan Tzara and Dada in Romania’. Modernist Cultures, 2013, 8 (2), pp.215-231. ⟨hal-04433353⟩
Marius Hentea. 'Monocles on Modernity'. Modernism/modernity, 2013, 20 (2), pp.213-237. ⟨hal-04433351⟩
Marius Hentea. 'The Fiction of Blindness and Real Life: The Diary Portion of Henry Green’s Blindness (1926)’. Notes and Queries, 2012, 59 (3), pp.421-424. ⟨hal-04433348⟩
Marius Hentea. The Fiction of Blindness and Real Life: The Diary Portion of Henry Green’s Blindness (1926). Notes and Queries, 2012, 59 (3), pp.421-424. ⟨10.1093/notesj/gjs105⟩. ⟨hal-04432539⟩
Marius Hentea. Late Modernist Debuts: Publishing and Professionalizing Young Novelists in 1920s Britain. Book History, 2011, 14, pp.167-186. ⟨10.1353/bh.2011.0000⟩. ⟨hal-04432595⟩
Marius Hentea. The Silence of the Last Poet: Matthew Arnold, T.S. Eliot, and the Value of the Classic. Modern Language Quarterly: A Journal of Literary History, 2010, 71 (3), pp.297-328. ⟨10.1215/00267929-2010-013⟩. ⟨hal-04432666⟩
Marius Hentea. Fictions of Class and Community in Henry Green’s Living. Studies in the Novel, 2010, 42 (3), pp.321-339. ⟨10.1353/sdn.2010.0021⟩. ⟨hal-04432652⟩
Marius Hentea. Fictional Doubles in Henry Green’s Back. Review of English Studies, 2010, 61 (251), pp.614-626. ⟨10.1093/res/hgq015⟩. ⟨hal-04432677⟩
Marius Hentea. A Pastoral for Mr. Biswas. Journal of Commonwealth Literature, 2010, 45 (1), pp.97-114. ⟨hal-04432686⟩
Marius Hentea. Literary Treason: Authors on Trial in the Wake of World War II. Bloomsbury Academic. In press. ⟨hal-04432097⟩
Marius Hentea. TaTa Dada : Über das wahre Leben und die himmlischen Abenteuer des Tristan Tzara. Translated by Harriet Fricke and Volker Oldenburg. Berlin University Press, 375 p., 2016, 9783737413237. ⟨hal-04432076⟩
Marius Hentea. TaTa Dada : Adevărata viața și celestele aventuri ale lui Tristan Tzara. Translated by Daniel Clinci. Tracus Arte, 388 p., 2016, 9786066646895. ⟨hal-04432089⟩
Marius Hentea. Henry Green at the Limits of Modernism. Sussex Academic Press, 167 p., 2014, 978-1-84519-575-5. ⟨hal-04432110⟩
Marius Hentea. TaTa Dada : The Real Life and Celestial Adventures of Tristan Tzara. MIT Press, 368 p., 2014, 9780262027540. ⟨hal-04432062⟩
Marius Hentea. Cologne, Zurich, Paris. Cambridge University Press. A History of Surrealist Poetry, In press. ⟨hal-04432710⟩
Marius Hentea. “Je me trouve très sympathique”: Dada Intimacies. Edinburgh University Press. Modernist Intimacies, pp.181-196, 2021. ⟨hal-04432725⟩
Marius Hentea. Tzara’s Wars. Editura Palatul Culturii. The Disintegration of the Human in War and in the Arts, pp.17-24, 2018. ⟨hal-04432741⟩
Marius Hentea, Elise Trogrlic. Champions and Odd Men Out: French Identity and Belonging through
the Lens of Les Yeux dans les Bleus and Substitute. Scarecrow Press. Identity and Myth in Sports Documentaries: Critical Essays, pp.123-139, 2013. ⟨hal-04432758⟩
Marius Hentea. “Toutes mes idées sont en images”: Rousseau and the Yoke of Necessity. Cambridge University Press. Rousseau and Freedom, pp.174-192, 2010. ⟨hal-04432765⟩
